top of page
epoque_press_round_logo_Qe_RGB_white-01.
époque press
pronounced: /epƏk/
definition: /time/era/period

Hannah watched the ferry pull away from Rossaveal Harbor, its hull cutting through the steel-blue waters of Galway Bay. The cold March wind whipped her light-brown hair around her face as she stood at the stern, the mainland slowly shrinking behind her.
     At thirty-seven, this solo trip to Inishmore wasn't exactly what she'd imagined for herself. No ring on her finger, no hand to hold, just her wheeled suitcase rattling across the deck. The last text from her mother still burned in her mind: 'Liebling, bist du sicher? Wouldn't you rather come home to Munich for Easter? Your father planned a dinner party with the Webers' son.'
     The thought of it made her feel like she was collapsing on the spot. Her parents, who'd moved to Ireland from Munich when she was twelve, had never quite adjusted to what they called the 'Celtic casualness' about life partnerships. Her mother still operated on Bavarian efficiency, trying to manage her daughter's love life from their renovated Georgian home in Dublin's suburb.
     Laura, her younger sister, had already found her perfect match - a pediatric surgeon with a summer house in Kerry. Now she'd taken it upon herself to 'help' Hannah, orchestrating an endless parade of group activities designed to throw single professionals together. Her friends back in Dublin thought she was crazy. 'The Aran Islands, for two weeks? In March?' they asked with raised eyebrows over wine. 'There's nothing there but rocks and sheep.' But that was exactly why she'd chosen it. After another failed relationship and endless mind-numbing dates, she needed somewhere to breathe.
     The ferry pitched and rolled beneath her feet. Other passengers had retreated to the cabin, but Hannah stayed outside, letting the salt spray sting her cheeks. She thought about her last breakup, just a few months ago. Marcus had been perfect on paper - successful accountant, tall, called his mother regularly. But a spark had been missing, a depth she couldn't really name.
     'I just think we want different things,' he'd said over coffee. 'You're always looking for... more. Something bigger than just us.'
     He'd meant it as a criticism, but now, standing on this ferry heading towards an island, she wondered if he'd accidentally given her a gift - the truth about herself.
     An hour later, Inishmore's rugged coastline emerged from the mist like a sleeping giant. Ancient stone walls crisscrossed the landscape, and even from a distance, Hannah could see the famous cliff fort of Dún Aonghasa perched precariously on the edge of a 300-foot drop. The sight made her catch her breath. There was something both threatening and thrilling about its position - the way it seemed to defy common sense.
     Hannah's booked B&B was a whitewashed cottage on the outskirts of Kilronan, the island's main village. The building itself seemed to have grown from the rocky soil, its walls thick enough to withstand centuries of Atlantic gales. Wind chimes made from sea glass tinkled softly by the front door.
     Cliodhna, the owner, was a woman in her sixties with silver hair and laugh lines etched deep around her eyes. She wore a hand-knit sweater in shades of blue and green that matched the sea behind her.
     'You're here all alone, love?' Cliodhna asked as she showed Hannah to her room. The question wasn't asked with the usual pitying tone Hannah had come to expect. Instead, there was something like approval in Cliodhna's voice.
     'Yeah, just me,' Hannah replied, trying to sound more confident than she felt.
     Cliodhna patted her arm. 'Well, you won't be lonely here. The island has a way of keeping you company.' She paused at the doorway. 'And if you're after getting out to do a bit of exploring feel free to use the bike out back.’
     That evening, as she walked along the empty beach near the village, Hannah picked up a smooth stone and turned it over in her hand, thinking about all the failed relationships that had led her here. The stone was black, shot through with veins of white quartz. How many years of waves had it taken to smooth its edges? She slipped it into her pocket, an island talisman.
     The next morning dawned clear and cold and after breakfast Hannah hoped on the bicycle and et off along the coastal road, her legs working hard against the incline. The landscape was unlike anything she'd seen before - limestone pavements, dry stone walls, and fields dotted with wildflowers pushing through the rocks. The sky seemed bigger here, stretching endlessly above her.
     Near Mid Island, she stopped to catch her breath. A group of horses grazed nearby, their shaggy winter coats ruffling in the breeze. One of them, a dappled white, lifted its head to look at her.
     'At least you're not on Tinder,' she told it.
     The horse nickered softly, as if in agreement, then ambled over to the stone wall where she rested.
     'That's Siog,' a voice called out. 'It means "fairy" in Irish.'
     Hannah turned to see a young woman approaching, carrying a bucket of feed.
     'I'm Aoife,' she said. 'My family's been breeding these ponies for generations. They're special, these ones. Built to survive here where nothing else can.' She patted Siog's neck affectionately. 'They're like us women,' Aoife said with a wink. 'Everybody's always trying to tame us, but we do best when we're allowed to be wild.'
     Hannah reached Dún Aonghasa by mid-afternoon. The ancient fort was deserted except for a young man sketching in a notebook. He sat cross-legged on a flat rock, completely absorbed in his work despite the cold wind. As Hannah approached, he looked up, and for a moment, their eyes met. Hannah quickly looked away and walked to the edge of the cliff, where there were no barriers between her and the churning Atlantic below. The wind tugged at her clothes, and she spread her arms wide, letting it rush over her. The vastness made her feel small, and it was oddly comforting to be reminded that her problems were tiny in the grand scheme of things.
     'Quite something, isn't it?'
     Hannah turned to find the sketching man standing nearby. 'Yeah,' she replied, taking a step back from the edge. 'It's incredible.'
     'I'm Alex,' he said. 'I've been trying to capture it, but...' He held up his sketchbook, showing a half-finished drawing of the cliffs.
     'It's beautiful,' Hannah said, meaning it. The rough lines captured the raw energy of the place rather than just its appearance.
     'Thanks. I'm here for a month, just... drawing. Trying to figure out some things.' He ran a hand through his wind-tousled hair. 'People think I'm crazy, coming here alone.'
     Hannah laughed, a genuine sound that surprised her. 'Join the club. My sister tried to talk me into a singles cruise instead.'
     'Let me guess, organized fun, mandatory mixers, and a "love guru" giving seminars about finding your soulmate?'
     'Worse, my sister would have been the love guru. She's on a mission to fix my "problem."'
     'Ah yes, the terrible affliction of being single past twenty-five.'
     They walked back to Kilronan together, on the path that wound along the cliff edge before cutting inland through fields divided by rough stone walls. Alex told her about his life in Boston, where he taught art at a community college. He'd recently gone through a divorce after finding out his wife had been having an affair.
     'The worst part wasn't even the betrayal,' he said. 'I realized I'd been unhappy for years before that, but I'd been too afraid to admit it.'
     'Why afraid?' Hannah asked, though she thought she knew the answer.
     'Because being unhappy in a relationship feels more socially acceptable than being alone. At least you're trying, right? At least you're normal.' He picked up a stone and tossed it into the field. 'But normal is overrated.'
     The lights were coming on in the pub windows, warm and inviting. Alex hesitated, then asked, 'Would you like to get dinner? They serve great seafood chowder. Unless you have plans?'
     Hannah's first instinct was to say no. She'd come here to be alone, hadn't she? But something made her pause. Maybe it was how easy it had been to talk to him. There had been no pressure, no subtle sizing each other up as potential partners.
     'Okay,' she said. 'But I should warn you, I'm not looking for anything.'
     'Neither am I,’ he smiled. ‘Sometimes a bowl of chowder is just a bowl of chowder.'
     Inside, the pub was warm and cozy, with a peat fire burning in the corner. They found a quiet table and ordered chowder and Guinness. A group of musicians were setting up in the corner.
     'Is this too weird?' Alex asked as they waited for their food. 'Two lonely people having dinner on an isolated island?'
     'Wouldn't it be strange to feel lonely on our own when we could share the loneliness together?' Hannah pondered.
     The chowder arrived, thick with salmon and mussels, served with brown bread still warm from the oven. As they ate, Alex told her more about his drawings. Hannah talked about her work as an environmental lawyer.
     'So why here?' Alex asked eventually. 'Of all the places you could have gone?'
     Hannah thought about it, tracing patterns in the condensation on her glass. 'I guess... I wanted somewhere that would match how I was feeling inside. Then I got here, and already I’ve realized, it's not empty at all. It's full of life, just... different life.'
     Alex nodded. 'I know what you mean. It's like... everything here is exactly what it is. No pretence.'
     'Yes!' Hannah leaned forward, excited to be understood. 'That's exactly it. Back home, I always feel like I'm trying to be someone I'm not.'
     'And here?'
     'Here, I think I can just be... messy. Uncertain. Standing on a cliff edge.'
     When they stepped outside, the sky was clear and full of stars.
     'I'd forgotten the sky could look like this,' Hannah breathed, tilting her head back.
    'The light pollution in cities,' Alex said, 'makes us forget what's always been there.'
     They stood in comfortable silence, watching the stars wheel overhead and Hannah felt a shift inside her, like a key turning in a lock she hadn't known was there.
     The next few days fell into a pattern. Hannah would wake early, watch the sunrise paint the ocean in shades of pearl and rose and then have breakfast with Cliodhna, who seemed to sense when Hannah wanted to talk and when she needed silence.
     'Some places just call to you,' Cliodhna said one morning, as she kneaded bread dough. 'Like a song you can't get out of your head. I fought it for years; thought I was too sophisticated for island life. But in the end, the island won.' She paused her kneading, her hands covered in flour. 'Sometimes surrender is the bravest thing you can do.'
     One morning, Hannah cycled out to the seal colony on the western shore. She sat for hours, watching them bob in the water, their dark eyes watching her curiously. A mother seal nursed her pup, basking on the shore in the weak spring sunshine, their bodies curved together like a question mark.  Just then, the sound of a horse-drawn cart interrupted her thoughts. It pulled up near to her, and the man driving it hopped off and tied the horse to a nearby post.
     'Hello there! You must be Hannah. I'm Colm, Cliodhna's neighbor.' He extended his hand, and she shook it with surprise.
     'How did you know my name?'
     'Cliodhna mentioned you were staying with her for a bit. I was just heading back and saw you, thought I'd offer you a lift if you want to throw the bike up on the back here.'
     'My mother,' Colm told Hannah as they rocked along the winding road, ‘she had a stroke five years back. Doctors in Galway wanted her in a home, but she wouldn't hear of leaving the island.' He spoke matter-of-factly, without self-pity. 'So, I drive the tourists by day, care for her by night. She can't walk anymore, but her mind's as sharp as ever.'
     Hannah watched his profile against the sky, noted the quiet dignity in his bearing. Here was a man who'd found purpose not in grand adventures or romantic pursuits, but in the daily acts of love and duty.
     'You should meet her,' Colm said ‘My mother. She loves company, and she's got a way of setting things straight in your head, just by listening. Come on, I’ll take you round there.'
     The cottage smelled of peat smoke and lavender. Colm’s mother, Sadhbh sat in a worn armchair by the window, the afternoon light catching the silver threads in her dark hair. Her hands, though marked by age, moved with surprising grace as she poured tea from a delicate china pot.
     'So, you're running away to find yourself?' Sadhbh asked, her eyes bright with an intelligence that seemed to see straight through Hannah's carefully constructed defenses.
     Before Hannah could protest, Sadhbh continued, 'Good. Sometimes you need to run away to find your way home.' She gestured toward Colm, who was quietly preparing dinner in the kitchen. 'Look at him. Everyone thought he was mad to come back here, give up his job in London. But he found what he needed right here, didn't he?'
     Hannah sipped her tea, studying Sadhbh's face. There was something about the older woman that reminded her of her own grandmother, a sharpness behind the kindness, a sense of stories untold.
     'Your mother worries because she loves you,' Sadhbh said, settling back in her chair. 'But love shouldn't be a cage, should it? Look at the wild geese, they mate for life, but they still need to fly.'
     Hannah set down her cup. 'You sound like you speak from experience.'
     'Oh, I do.' Sadhbh's voice carried a weight that made Hannah lean forward. 'You see, dear, I wasn't always Sadhbh the island woman. Fifty years ago, I was Dr. Margaret O'Sullivan, one of the first female surgeons in Ireland. I trained at Trinity College Dublin, then in London, then Boston. I saved lives, pioneered techniques, broke barriers that men said couldn't be broken. I was going to change the world of medicine.'
     'What…whathappened?'
     'I fell in love with a fisherman's son who'd never left this island. My colleagues thought I'd lost my mind. My family threatened to disown me.’ Sadhbh's voice was soft but tinged with something Hannah couldn't identify.Regret? Relief? 'I had a choice,' Sadhbh continued. 'The life I'd built, or the life I wanted. The respect I'd earned, or the love I'd found. So I chose.' She gestured to the simple cottage around them. 'I became Seamus's wife. I learned to fish, to tend sheep, to deliver babies when the mainland doctor couldn't make it across in storms.'
     'Do you regret it?' Hannah whispered.
     Sadhbh’s eyes fixed on something beyond the window, perhaps the past, perhaps the future. 'For years, I told myself I didn't. Seamus was good to me. We had thirty beautiful years together before the cancer took him. But...’for the first time, her composure cracked slightly. 'After he died, I found my old medical journals in a trunk. Articles about procedures I'd developed, techniques that are still used today. And I realized something terrible and wonderful at the same time. I realized that I hadn't chosen love over career, I'd chosen fear over courage. I was afraid that if I stayed in medicine, I'd never find love. Afraid that success would make me unlovable. So I ran away to this island and convinced myself it was romantic.'
     The revelation hit Hannah like a cold wave. 'But... you seem so content.'
     'Oh, I am now,' Sadhbh said quickly. 'That's the twist, you see. The stroke five years ago, it wasn't just a stroke. It was a revelation. Lying in that hospital bed, I realized I'd spent thirty years playing a role I'd chosen out of fear, not love. And then, when I thought it was too late to matter, I discovered something extraordinary.'
     Sadhbh reached into a basket beside her chair and pulled out a leather-bound journal. 'I've been writing. Not medical papers, but stories. About women like us, women caught between what they want and what they think they should want. And you know what? The stories are good. Maybe even important.'
     She handed the journal to Hannah. The cover was worn smooth, and Hannah could see her real name embossed in fading gold: Dr. Margaret O'Sullivan.
     'Colm doesn't know the whole truth,' Sadhbh said. 'He thinks I'm just his mother who needs care. But caring for me, it gives his life meaning. And my stories, they might give meaning to women who come after us. Sometimes the greatest love is letting people choose their own path, even when it breaks your heart.'
     Hannah opened the journal and read the first line: 'We are told that love requires sacrifice, but what if the greatest sacrifice is sacrificing who we truly are?'
     'The question isn't whether you should be alone or partnered,' Sadhbh said softly. 'The question is: are you choosing from love or from fear? Are you running toward something, or away from it?'
     As evening fell and Colm called them to dinner, Hannah felt something shift inside her chest, not the key-turning sensation she'd experienced before, but something deeper, an understanding that the choice wasn't between independence and love, but between authentic living and living for others' approval. Looking at Sadhbh she saw not a cautionary tale, but a reminder that it's never too late to choose courage over fear, truth over expectation.
     'Thank you,' Hannah said as they moved toward the kitchen. 'Thank you for trusting me with your story.'
     'And thank you,' Sadhbh replied, 'for reminding me that stories are meant to be shared.'
     Hannah knew then that the island would take her in its embrace and that she would always remember this: that love could happen in empty fields, in the spaces between hello and goodbye and that sometimes the most important relationship is the one you have with yourself.

Titles_Daniela Krause.png
Daniela_Krause_screenshot.jpg

Daniela Krause completed an MA in Creative Writing (2024/2025) at the University of Galway, Ireland. Her studies consisted of Fiction with Mike McCormack, Non-Fiction with Roisin Kiberd and Poetry with Elaine Feeney. In October 2024, she was shortlisted as a finalist with poem "When You Cry Alone" in the international Bart of Connacht Competition. In April 2025, Daniela publicly read her latest fiction-inspired poem "Carnival" at the MA Showcase during the Cúirt International Festival of Literature which received great traction. Influenced by Patrick Holloway's "The Language of Remembering" and its exploration of place, memory, and identity, Daniela brings a bilingual -German-English- perspective to themes of personal autonomy across artistic mediums. 

 

Of the work featured here, Daniela says:

 

"We Can Make Love In These Empty Fields" examines freedom through Hannah's transformative solo journey to Ireland's Aran Islands, discovering how true liberation comes from choosing courage over fear in defining one's authentic path. The story navigates multiple dimensions of freedom: being alone without loneliness, rejecting conventional relationship timelines, and choosing authentic living over social approval - demonstrating how physical isolation can paradoxically lead to profound self-connection and genuine possibility.'

bottom of page