Hello and welcome!
époque press is an independent publisher based between Brighton and Dublin established to promote and represent the very best in new literary talent.
Through a combination of our main publishing imprint and our online ezine we aim to bring inspirational and thought provoking work to a wider audience.
Our main imprint is seeking out new voices, authors who are producing high-quality literary fiction and who are looking for a partner to help realise their ambitions. Our commitment is to fully consider all submissions on literary merit alone and to provide a personal response.
Our ezine will showcase a combination of the written word, visual and aural art forms, bringing together artists working in different mediums to encourage and inspire new perspectives on specific themes.
For details of how to submit your work to us for consideration please follow the submissions guidelines and for all other enquiries please email info@epoquepress.com
Hello and welcome!
époque press is an independent publisher based between Brighton and Dublin established to promote and represent the very best in new literary talent.
Through a combination of our main publishing imprint and our online ezine we aim to bring inspirational and thought provoking work to a wider audience.
Our main imprint is seeking out new voices, authors who are producing high-quality literary fiction and who are looking for a partner to help realise their ambitions. Our commitment is to fully consider all submissions on literary merit alone and to provide a personal response.
Our ezine will showcase a combination of the written word, visual and aural art forms, bringing together artists working in different mediums to encourage and inspire new perspectives on specific themes.
For details of how to submit your work to us for consideration please follow the submissions guidelines and for all other enquiries please email info@epoquepress.com






époque press
pronounced: /epƏk/
definition: /time/era/period
Rob Hennebry
Poetry & Spoken Word
All Sold Out
I can’t sleep
I’m listening to the Kings.
I’m not drunk or high
I’m tired
So tired
I’m exhausted
Physically
Mentally
Mental,
Is it all in my head?
Nobody is here to prove
Or disprove it.
Deliriousness is unpleasant
Paranoia is worse.
I have been worse,
Written better verse
Been full of happy song
Had hundreds sing along
Got the words wrong
But they got me.
Felt me, Felt it
Prayed together,
Forever
To be concealed
Or conceived again
All over again by flow of pen
And then
Zen.
Back from whence
And hence
New.
New to the Groove
Indifferent to worlds
And people and things
And tunes,
Just us,
In those rooms
Where ceilings caved
And notions were sprayed
On walls and minds alike.
To dislike or adore
The audience,
My whore
On whom I frequently
Vent spent trenches of thoughts
Nothing more.
I inspect their loyalty
To the willingness to let go.
Witness the cremation
The devastation of
Ideas that took centuries of compromise
To compile.
But now only the bar stool philosophers
I entertain.
Such Vitriol
I have for it all
For them all
For every stutter and stall
Assumed unnoticed by me
Really?
Seriously?
Expect me to believe
You believe I believe you?
I wish I couldn’t fucking see you!
And retire to my quarters
Slaughter a double
Cheesy aroma
Self induced coma
Thank god for that.
At least thank fucking god
For that.
That all of that
This that and the other
(flutter words
Again and again
Again and again
Again and again)
Until when?
When I’m happy.
Ginsbourgh watched
The greatest minds dwindle
I watch the lowest fiddle
With simplicity
Aspiring to mediocrity.
Unbelievably,
Far out of reach
Even in the highest girders
Of these circles
Of these escapees
Fugitives of the ability to read.
Pity, pity
I’m sold out of pity,
Its not pretty
But I gave it all
In this city
I’m all out of witty
Comforting but shitty
Remarks of nitty gritty
Detailed pity.
Apologies are cheap to this foe.
My words are arrogant
Bias, egotistical, patronising
And widely unknown,
But
This is just a poem.
Come sit with me
And see where it leads
I plead you
Feed the need to
Go beyond a greater good
For a greater laugh
Because it is so funny
To fill two hundred fools
With booze and
Mop their piss and puke and
Throw back truth
At their wild primate like
Swings at fact
In fact, they have no clue.
Oh Danny!
Where are you?
Ill save you a stool,
And Pilon and Pablo too
Fuck it,
Bring the whole crew
Bring the truth
The break neck speed analysis,
That I could feed these men Molasses
And the gasses
Would be misconstrued
For a smell in the loo
But there are few I would kill.
They did not choose this.
I hope they did not choose this.
My god,
What if they chose this.
How bad was it before?
How lost?
If this is what you came for!
Nothing more,
Than Door, Floor, cheap score
Cheap everything I’m sure.
I’m not sure
I am tired though
So I Lock and load
Listen to London snore
The traffic I abhor.
How dare I be allowed
To write such things
Of the folks who pay for
And push my pen?
But if I was them,
If I knew the middle name
Of any barman in town,
I would think again!
Writers Tears
Some liquid I found in a shed,
It’s been there for years, it’s a writer’s tears.
He needed more room in his head,
He’d filled it with fears when he opened his ears
That set him weeping and down it squirrelled,
Black like ink, full like blood
He shut the door behind him,
It’s been there for years, the jar of jeers
Pages and pages of the writers’ tears.
Need
Is it only we that need?
The world that must turn,
The sun that must set
And yet needs must, but there seems
To be a knowing in a need
And the indifferent universe must lust for chaos
All things considered
Some fuckers headlights
Lit up the air tonight
The space between was thick
With grit
Acrid
My ears stung like the rest of me was numb
And then he was gone.
Another came along.
I bowed my head to this one
Afterall,
What is it we know,
That we have not learned
Squeeze
As I age the edges fade
And I can’t close my hands as fast as the sands
Slipping through the gaps in my fingers
Time and life and things
Are just like a fistful of water.
Possibility and nothingness walk the same line.
Syrup in a sink,
Disappearing slow enough to let you think
That there’s still time
Short but sweet
Sometimes it’s an awful fear
And others I put down to anxiety.
Sometimes it’s near,
But you travel often.
Most times I’m torn,
Because I get stuck for what to say.
But every now and then...
I love you.
Dreams
There’s something different about you,
Something new.
There’s a timing in the way you speak.
It’s leaked,
From a script I already knew.
I’ve dreamed of this.
Or is it DeJa’Vu ?
But everything is right. Fine.
I touch your hair one last time
And fall asleep.
When
If my eyes can glow with enthusiasm
For all the possibility and potential in the world
Then everywhere I look
There will be light.
Rob Hennebry is a poet and musician and has been for more than 30 years. Starting off from a musical background his poetry was very much directed in the lyric form as something to sing with early songs. Slowly this format eroded, and the more loquacious, beat style emerged that simply stopped fitting with the music. Rob has been inspired by Samuel Beckett, however the musical, rhythmic format remains the dominant mode in his writing.
A collection of Rob’s poetry, called 'Women, Religion and the Sky' is due to be published this year.
Of the poem, All Sold Out, featured here, Rob states:
‘All Sold Out is written from the perspective of a barman who feels himself above the people and place that he serves, yet he doesn’t see the irony that he is there in this same place with all of them. It is drawn from those moments of thrashing inside our own minds when we tend to think we deserve better. Often, it’s easier to lash out than do something proactive. Afterall, that could fail and where would our egos be then?’