Hello and welcome!
époque press is an independent publisher based between Brighton and Dublin established to promote and represent the very best in new literary talent.
Through a combination of our main publishing imprint and our online ezine we aim to bring inspirational and thought provoking work to a wider audience.
Our main imprint is seeking out new voices, authors who are producing high-quality literary fiction and who are looking for a partner to help realise their ambitions. Our commitment is to fully consider all submissions on literary merit alone and to provide a personal response.
Our ezine will showcase a combination of the written word, visual and aural art forms, bringing together artists working in different mediums to encourage and inspire new perspectives on specific themes.
For details of how to submit your work to us for consideration please follow the submissions guidelines and for all other enquiries please email info@epoquepress.com
Hello and welcome!
époque press is an independent publisher based between Brighton and Dublin established to promote and represent the very best in new literary talent.
Through a combination of our main publishing imprint and our online ezine we aim to bring inspirational and thought provoking work to a wider audience.
Our main imprint is seeking out new voices, authors who are producing high-quality literary fiction and who are looking for a partner to help realise their ambitions. Our commitment is to fully consider all submissions on literary merit alone and to provide a personal response.
Our ezine will showcase a combination of the written word, visual and aural art forms, bringing together artists working in different mediums to encourage and inspire new perspectives on specific themes.
For details of how to submit your work to us for consideration please follow the submissions guidelines and for all other enquiries please email info@epoquepress.com



époque press
pronounced: /epƏk/
definition: /time/era/period


époque press
pronounced: /epƏk/
definition: /time/era/period

époque press ezine
Diarmuid ó Maolalaí
Your Friends' Lives
jack
is still down the country.
his placement's over
but he lives
rent-free
in his grandparents' old place
and says groceries
are pretty cheap too.
I guess he'll stay there
until he gets a job as an architect;
then come back
and still live
in a nicer place than I do.
aidan
is in college;
his doctorate is
almost complete.
he lives at home, pays
no rent,
spends all his spare time drinking
and going to the park.
I guess he'll finish up too,
get a job
in a natural history museum
spend the rest of his life
counting bones.
I get out of work at 4:45,
walk on the quays,
try shops
and sometimes
pick up a shirt.
there are bargains to be had.
then I grab some wine,
come home and sip it
and read my rejection emails.
I patch up the poems and send them out again.
the room I rent
is 900 a month,
small
but private
with no view of the street
or anything else.
sometimes
when you're describing them in a poem
your friends' lives
make a pretty poor mirror.
I live
like a badger;
sleep and eat,
write poems
and relax against the sun.
I wouldn't trade
with them
or god or anyone.
A Lot for the Theatre
I saw your play
with your mother and father
and your brother too
without much interest.
we said it was good
of course,
because what else are you supposed to say?
I told you I liked it
and even named parts I'd liked -
a lot of it
was good too
even though some of it hadn't been so much.
I wanted to like it
and I wanted you
to like me.
then you told me
they'd fucked with the script
and my misgivings were right.
they were children.
they must have decided somewhere along the way
that it was easier,
better to do something
a child would understand.
you had been paid 50 pounds for the script.
that's not much
but a lot for the theater
when you're starting out
and you were angry
and then you didn't want to hear my opinions
even though the things I had liked were all things you had done.
and it was Edinburgh
and I think 2010.
I met your brother for a cigarette
and he agreed
with all of it.
he agreed with me
and you,
but you thought I didn't know.
you were right
I never knew.
I just wanted you to be happy.
you just wanted me to go away.
you had written a play,
got it put on,
beaten people out of it,
and that wasn't enough;
you wanted me gone,
wanted the poetry,
wanted the words
to all be you.
you wanted me gone
I know the feeling.
A Bottle of Wine for the Rockpool
one weekend
long
into summer
when the sun sloshed out like a bowl of soup.
it was hot and
sticky and
made everyone smell like
ham.
the streetcars rattled and blasted
heat like an oven with each opened door
and we decided
hell,
let's take a day,
let's get out
and go to the lake
go and look at the island
doubling itself
with a picnic
and a bottle of wine for the rock pools,
lobster in sandwiches,
apples
and anything that wouldn't make us sick.
and you said something about the weather
being like a new animal
making all the other ones nervous,
even the flies lying down -
babe
the flies were lying down
because the air was too thick to swim in.
that morning I checked
with a knife,
opening a window
Diarmuid ó Maolalaí is a graduate of English Literature from Trinity College in Dublin and recently returned there after four years in the UK and Canada. He has been writing poetry and short fiction for the past five or six years with his writing appearing in such publications as 4'33', Strange Bounce and Bong is Bard, Down in the Dirt Magazine, Out of Ours, The Eunoia Review, Kerouac's Dog, More Said Than Done, Star Tips, Myths Magazine, Ariadne's Thread, The Belleville Park Pages, Killing the Angel and Unrorean Broadsheet, by whom he was twice nominated for the Pushcart Prize. He has also recently published a short collection with Encircle Publications entitled 'Love is Breaking Plates in the Garden'.